When Sound Becomes Time Machine

When a Melody Resurrects Who We Used to Be

The opening notes of a song I hadn’t heard in fifteen years started playing in a rickshaw, and suddenly I was twenty-four again, sitting in my mother’s kitchen, watching her cook while the radio played the same melody. Not remembering being twenty-four—actually being twenty-four, with all the uncertainty, hope, and particular quality of afternoon light that belonged to that time.

Music doesn’t just remind us of the past; it resurrects it.

For thirty seconds, I existed simultaneously in two times—the present rickshaw moving through Dhaka traffic and that kitchen where my mother hummed along while stirring rice, where I believed the future was manageable and my biggest worry was whether I’d find meaningful work.

No other medium has music’s power to collapse time, to make then feel like now.


Music creates emotional time travel because it bypasses rational memory and speaks directly to cellular consciousness.

The song in the rickshaw didn’t just trigger thoughts about my mother’s kitchen—it recreated the entire sensory experience. I could smell the turmeric and onions, feel the wooden chair where I used to sit, hear the specific quality of her voice when she was content. The music had preserved not just the moment but the entire ecosystem of that time.

Songs are archaeologists of consciousness, excavating perfectly preserved emotional landscapes.

I think about how my son will experience this decades from now—hearing a song that’s currently playing during his childhood and being instantly transported to our current balcony, his mother tending plants, me writing in the morning light, the particular way eleven-year-old happiness sounds when he discovers something fascinating.

We’re constantly recording emotional albums without realizing it, creating soundtracks to times we’ll someday desperately want to revisit.


The cruelest part is that music can resurrect people who no longer exist.

When I hear my mother’s favorite songs, she isn’t just remembered—she’s present. Her laughter becomes audible again, her way of moving through the house becomes visible. The song doesn’t just evoke her memory; it makes her temporarily alive in the space between my ears.

Music is the only technology that can bring the dead back to life, even if only for the duration of a melody.

But this resurrection is also torture. The song ends, and she dies again. The time travel terminates, and you’re thrust back into the present where she’s still gone, where the kitchen has been empty for years, where the future she worried about became the past you’re living.

Music’s gift of time travel comes with the cruel requirement that you always return.


Different songs create different temporal destinations.

There are songs that take me to my childhood, when the world felt infinite and mysterious. Others transport me to university days when everything seemed possible and nothing seemed permanent. Some recreate the early days of my marriage when love felt like discovery rather than maintenance.

My music library is actually a collection of time machines, each calibrated to specific temporal coordinates.

The most powerful songs are the accidental soundtracks—music that was playing during unplanned moments of intensity. The song that happened to be on the radio during my first kiss, during the drive to the hospital when my mother was dying, during the hour after my son was born.

These songs preserve entire chapters of existence with such precision that hearing them feels like reading from the most intimate diary ever written.


Music-induced time travel is more vivid than actual memory.

When I try to remember my mother’s voice through concentration, it feels distant, approximate. But when her favorite song plays, her voice becomes immediate, precise, carrying all its original emotional weight. The song restores not just the fact of her presence but the feeling of her presence.

Music preserves not just what happened but how it felt to be alive when it happened.

What songs are the soundtracks to your most important chapters? What music can instantly transport you to times when you were different people living different lives? And what does it mean that melodies can resurrect experiences more powerfully than photographs, more completely than memories, more honestly than any other form of time travel we’ve discovered?

Music doesn’t just document our lives—it preserves the emotional weather of our past selves, keeping perfect records of who we were and how it felt to be alive at specific moments in time.

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